Readers of Najwa Binshatwan’s books are constantly amazed by her experimental writing, not only at the level of the narration with its
various elements, but also at how she digs deep to bring out a subject that
is of obvious relevance and then succeeds in turning it into a new, rich, and
reserved subject. Following her novels, “The Horses' Hair” and “The Slave
Pens”, in her latest book: “Roma Termini”, she takes us to Italy to meet
Natasha, the immigrant who works in the house of three old Italian women, who
live comfortably and luxuriously in the wealth of capitalism while they bully
the rest of the world around them by it, though their own children didn’t
inherit from their wealth, as if they were in a parallel internal immigration
